
Less is more on Azure Ray s second album - While everyone is listening to Moby, one of the artists that he (Richard Melville Hall) puts on the stereo is Athens, Georgia experimental/chill/twee duo Azure Ray. They co-wrote and performed track 4, Great Escape, on Moby s 18, invited into a coterie along with Sinead O Connor, Angie Stone, and MC Lyte -- Moby s other collaborators for his first LP in three years. A month ago Azure Ray (multi-instrumentalist/vocalist Orenda Fink and keyboards player/vocalist Maria Taylor, both also in Now It s Overhead and previously in Little Red Rocket and Bright Eyes) released for the US their second full-length, Burn And Shiver, on Athens indie label Warm Electronic Recordings. It follows their November EP, out since January on Saddle Creek, and their debut, self-titled full length, released January 2001 on Warm. Azure Ray make heavy-duty introspective dream music, boldly minimalist and anti-pop, quiet nearly to the point of disappearing into silence. In moments the new album s melodies and emotional colors touch the transcendency of Glasgow s Adventures In Stereo, who, like Azure Ray, make magic of multi-tracked, reverberant female vocals and elemental, repetitive themes. Floating over synthetic bells, hints of percussion, strings, and acoustic guitar, Fink s and Taylor s lyrics hang in the air almost indecently personal (It s funny how you can forget there s a world outside yourself/ Where the one who loves you keeps on living/ Without you there). The album s an open diary on a bed illuminated by a shaft of light from the hall... you walk up to it quietly, hesitate, then pick it up. It s OK... she left it there... you know she trusts you and wants you to read it. Azure Ray s minimalist and highly personal aesthetic, focused by producer Eric Bachmann (previously in Archers Of Loaf, now in his solo act, Crooked Fingers), reminds me a bit of the Cluster & Eno LP from way back in 1977. First exposure to that album left me wondering, in its time, whether the artists were just [messing] with me -- whether they arrogantly expected to get away with less studio and production time by proffering such extreme simplicity as art. An open mind and a few more listens eventually paid off well back then, and does now. The Cluster & Eno record remains timelessly beautiful in its minimalism and will forever. I predict the same to prove true of Burn And Shiver. (Review originally appeared on Rockbites.org)